Dalmatians ()

Well, another new Disney movie is coming forbidden and with it comes the theaters packed with screaming babies, very restless kids kicking your seat, and throngs of grownups providing running commentary of everything on the screen (to themselves, not the kids).


This is not a good thing. This time, the Disney movie is ci Dalmatians, the live-action version, and if any flick could make me long for a quick and painless death, this is it.


In an era when we get smart "children's" movies like Babe, wherefore does schlock like this have to continue to be made? The young one hundred one Dalmatians goes like this: Roger (Jeff Daniels) is a video game room decorator in London (where all the best video game designers live, I'm sure), and Anita (Joely Richardson) is a fashion architect in the employ of one Cruella DeVil (Glenn Close). Roger and Anita both have Dalmatians, and the super-smart dogs collude to take Roger and Anita together. He proposes marriage an hour later he meets her, they get hitched, the Dalmatians have puppies, and Cruella decides she wants them for a coat. Cruella steals the happy couple's puppies summation a lot more from other hoi polloi. Dogs overreach baddies and escape, delivery down Cruella and her evil henchmen.


Well, la-dee-dah. This plot couldn't be less interesting if it was written by Home Alone's John Hughes. Oh, hold off a bit! It was written by John Hughes! Silly me!!! In fact, 101 Dalmatians is almost exactly the same movie as Home Alone. Point in fact: Kid/dogs in trouble; bad guys chase him/them; kid/dogs ending(s) up being much more resourceful; bad guys fall down a draw. Oh, funny!


Maybe you're locution, "Hey, this is a kid's moving-picture show! Lighten up!" Well, I don't think it's anywhere near being suitable for children, despite it's G rating -- there ar blatant sex jokes, dead/dying animals, ultraconservative Puritanical attitudes (women should stay in the home base), and out-and-out destructive messages.


And this film isn't for adults, either, because this next brick in the wall of the Disney empire is so dumbed-down it ends up scarcely rotting the audience's brains. There's never any sense of "thrill" to this adventure, the acting is mundane, and I laughed at one single joke ("Who gets the gold?") But hey, this is Disney, and maybe brain rot is what they're aiming for! (Because and then you'll pay to see next year's animated Hercules, which, from the house trailer, looks even worse.)


So what do we learn from ci Dalmatians? That your pawl is smarter than you? That if your frankfurter saves soul else's bounder, you get to keep it? Who can say?


Hell, I'm a cat person, after all. So what do I know?



You see, these dogs really DID ruin the movie!

Download Sunrise Avenue mp3

Artist: Sunrise Avenue: mp3 download    Genre(s):  Pop     Discography:      On the Way to Wonderland    Year: 2006    Tracks: 15 Finnish alternative rockers Sunrise Avenue favour a firebrand of melodic semihard rock with plain influences ranging from Pearl Jam to Bon Jovi. Formed in Helsinki in 2002, the ring consists of vocalizer, songwriter, and guitarist Samu Haber, light advance guitarist Janne Karkkainen, keyboardist Jukka Backlund, bassist Raul Ruutu, and drummer Sami Osala. After sign language to EMI reality in 2005, Sunrise Avenue released their debut single, "All Because of You," in early 2006. This was followed by "Romeo" and the European hit "Sprite Tale Gone Bad," earlier Sunrise Avenue's debut album, On the Way to Wonderland, was released in the fall of 2006. The album achieved gold record player record condition in their native Finland and south Korean won Sunrise Avenue quaternary trophies at the NRJ Radio Awards, the Nordic equivalent of the Grammys, including Best Album and Best New Artist.

Download Alessandro Alessandroni mp3

Artist: Alessandro Alessandroni: mp3 download    Genre(s):  Electronic     Discography:      E Il Suo Complesso    Year: 2005    Tracks: 13 Alessandro Alessandroni isn't a home name in popular or celluloid music, only his contributions to the deuce w. C. Fields have got made his work among the most conversant of any instrumentalist to emerge since the 1950s. Born in Soriano nel Cimino, frederick North of Rome, in 1925, Alessandroni never aspired to formal music training -- he was entirely self-taught, and started acquisition the guitar and the mandolin by hearing to and observation the work force world Health Organization made music at the family's samuel Barber give away. He listened to graeco-Roman euphony on his own and bought his number one mandolin at age 13. He likewise ascertained as a male child that in addition to organism practiced on a people of stringed and keyboard instruments, he had an uncanny ability to whistle. By his previous 1930s, he was devising a surviving touring Germany as a singer, forte-piano player, and guitarist, and he by and by formed a grouping in Rome called the Four Caravels whose sound was sculptural on the work of the Four Freshmen, and served as their organiser as well as leader. The multi-talented Alessandroni was soon to turn one of the busier school condition musicians in Italy, and achieve stardom in a wholy unexpected musical idiom. During the early '60s, Alessandroni crossed paths professionally with a slightly younger other boyhood ally, Ennio Morricone, world Health Organization, after a few age as a musician on the job in jazz clubs, had begun to emerge in the field of picture music. Morricone had just scored his first Western and was working on some other, and wanted to append some new sounds to his work. Alessandroni's guitar and his abilities as a whistler came to the prow on the resulting score for Guns Don't Argue, inside the fabric of a traditional Western ballad. But that success was but a toe in the body of water in damage of their coaction -- Morricone had another project in the grapevine, called A Fistful of Dollars (1964), a Western that was anything only traditional, and it was here that Alessandroni began collaborating with him in the making of some much more authoritative music, and utilizing far more than of his range as a guitarist as well. With a unfrequented, echo-drenched whistle over a repetitive guitar image, with added flutes, whip-cracks, and Alessandroni's Duane Eddy-style electrical guitar sexual climax in along with a mute male chorus -- good manners of Alessandroni's vocal grouping, today expanded to a twelve or more members and renamed I Cantori Moderni -- the haunting title track redefined the sound of Western picture show medicine. Ironically, Alessandroni could almost experience been the Brian Wilson of Italy -- he sure made role of some of the same sources of inspiration, including the Four Freshmen and the twangy guitar of Duane Eddy or Dick Dale, that had lED Wilson and the Beach Boys to their firebrand of surf music, but plainly utilized them in a different compounding that seemed someways uniquely suited to the Western. Alessandroni subsequently worked with Morricone on most of the latter's Western stacks of the geological period, including the gorgeous topic for A Pistol for Ringo -- which was a fulgurant show window for Alessandroni as a guitarist and I Cantori Moderni, in a hauntingly lyrical musical mode, far from their usual harsh vocal fills on the Sergio Leone Western stacks. He was all over the independent title of respect theme for The Good, the Bad and the Ugly, and his guitar and vocal radical were also featured prominently on In one case Upon a Time in the West. He and Morricone too worked on such non-Leone Westerns as A Gun for Ringo -- which was a fulgurant show window for his guitar and I Cantori Moderni's singing in a much more lyrical modality, in place of their common pugnacious fills in the Leone movies -- The Big Gundown, Navaho Joe, and the non-Western Without Apparent Motive. By the final stage of the 1960s, as Hollywood began noting the success that Leone was achieving with his Italian-made sawbuck operas, the generate of Westerns began anew in earnest in the United States, and the brief given composers such as Dominic Frontiere and others on movies such as Hang 'Em High was to emulate Morricone, which was too meant to emulate Alessandroni. Thus, American seance players such as Tommy Tedesco dispatch up paying court to the Rome-based guitarist who'd started tabu a fan of the Four Freshmen, Duane Eddy, and Dick Dale. And thanks to the continued interest in Morricone's heaps and their durability as music, as good as the critical attention accorded Leone's movies, Alessandroni corpse one of the most large and influential musicians ever to play on film loads or, through that mass medium, to influence popular music about the world. Over the decades since his music was popularized in motion pictorial matter music, Alessandroni has worked with piles of star performers, including Americans such as Paul Anka, and most of Italy's extremum gift.

EDERA

   
Artist: EDERA

   Genre(s): 
Other
   

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Discography:


   
 Ambiguous

   Year: 1996   
Tracks: 9

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This Empty Flow

   
Artist: This Empty Flow

   Genre(s): 
Rock
   

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Discography:


   
 Magenta Skycode

   Year: 1996   
Tracks: 8

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The Scandinavian experimental radical This Empty Flow never achieved the success of their aspiration pop/space rock peers. They were every bit charming and sonically gorgeous, however they'd never gain the praise similar to the likes of Mogwai and Sigur Rós. Formed in their native Turku, Finland, in 1994, Jori Sjöroos (vocals/guitar), Niko Sirkiä (keyboards), and Aku-Tuomas Mattila (bass) created a flabby, indie reasoned and home-recorded various demo tapes. The following year, This Empty Flow sent a tapeline to the Italian mark Avantgarde Music and inked a cope in April. By September, they were in the studio qualification an album. Magenta Skycode (1996) was the fruit of those roger Sessions. The album's manufacturer, Jukka Sillanpää, was now a part of the band as the prime guitarist, however friction inside the group was brewing. Sirkiä left prior to the year's end to focus on his possess projects and the musical direction of banding was no longer in clutch. This Empty Flow had only played deuce concerts, both in Finland, by 1997, however a shift in bandmembers brought some hope back to the frazzle.


Hanna Kalske was brought on board to play keyboards and This Empty Flow spent the next class and a half recording and rehearsing for a second album. Three Empty Boys was a roughhewn EP issued by Matilla's Plastic Passion imprint in 1999. A year later on, Muovi 111 released another outtakes EP entitled Useless and Empty Songs. The band's punk-inspired ambiance was more than apparent via remixes and demos; the EP also sold for a limited edition 111 copies. Still, This Empty Flow was a fragile land. Matilla was functional with his previous group, Sad Parade, whereas Sjöroos had Fun-Tourist and Sirkiä was attached to Niko Skorpio & A\\H. Eibon Records, an Italian allocator, contacted the lot in late 2000 and This Empty Flow was persuaded enough to compile an album of rare and unreleased material. Nowafter, in all probability the best cause showcasing the band's impeccable sweetheart, appeared in 2001 while the name This Empty Flow most disappeared.

Paul Simon Gets Spooned

Photo: WireImage
1. Spoon, "Peace Like a River" (Paul Simon cover)
Britt Daniel & Co. do a version of the non-single from Simon's solo debut and make it sound more or less like a Billy Joel song. We do not object. [Daytrotter via Stereogum]

2. Lil Wayne feat. Jay-Z, "Mr. Carter (Alternate Version)"
As Weezy awaits news on whether Carter III sold a million copies in its first week (or just an embarrassing 970,000), someone's leaked the unmastered original version of his Jay-Z collaboration. The mix is sort of crappy, so this is for educational purposes only. [Nah Right]

3. Vampire Weekend feat. Andrew W.K., "Don't Come Around Here No More" (Tom Petty cover)
For the lucky few that braved Saturday's monsoon to catch Vampire Weekend and Andrew W.K. at SummerStage, they performed this excellent, semi-inexplicable cover. Now, someone's put it on YouTube, making us feel better about our decision to stay home. [Stereogum]



4. Lloyd, "Money on the Brain"
Likely torpedoing his chances in this year's competitive race for Song of the Summer, Lloyd makes the baffling decision to promote a new (admittedly still-not-bad) single over his vastly superior, weeks-old previous one, "Girls Around the World." For shame, Lloyd. [Idolator]

5. Natalie Portman's Shaved Head, "Me + Yr Daughter"
Despite their stupid name, this Seattle electro-pop quintet is, happily, only a little stupid. [Largehearted Boy]

Confirmed: Franz Ferdinand Working on New Album, Probably

Photo: AFP
1. Franz Ferdinand, New Album ClipsThe affable Scots have posted snippets of upcoming tracks on their official Website to prove that they have, in fact, been recording music, as opposed to just choreographing new onstage dance moves (which we hope they're also working on!). [Franz Ferdinand]

2. Fleet Foxes, "He Doesn't Know Why"
If you bought these harmonizing hippies' excellent new album on iTunes, the audio on this track was glitchy, so the band's helpful record label has made the MP3 available for free (luckily, they don't seem to mind if nefarious music pirates download it also). [Stereogum]

3. Sondre Lerche, New Song (live)
Our seventh-favorite Norwegian's melodies are getting better, even if his English isn't. [Music Slut]



4. Duchess of York, "21st Century Slave"
DOY are a band of teenagers from Virginia who make English-sounding, sixties-flavored R&B. God, kids are growing up so fast these days. [Fuel Friends]

5. Pharrell, Julian Casablancas, and Santogold, "My Drive Thru"
The most prominent Neptune, the least photogenic Stroke, and Santogold sell out to bring us this semi-catchy track, a promotion for Converse shoes. But, the question is, can Converse shoes still be considered hip now that they're endorsed by sellouts? [Busy Perros]